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16 September 2026Fancy Liquors and Sky-High Kickers: The Invention of Can-Can, 1830-1950
21 October 2026The Glasgow Boys
18 November 2026The Bayeux Tapestry (on show at the British Museum, Sep 26-July 27)
20 January 2027Dwellings for the Gods: the art & architecture of the ancient Greek temple
17 February 2027Jan Van Eyck (to coincide with National Gallery exhibition)
17 March 2027Graveyards to die for: How Nineteenth Century London Buried Its Dead
21 April 2027The Eccentric World of Agatha Christie on film & TV
19 May 2027“Sugar Loaves and Ant Hills”: The Architecture of Antoní Gaudí
16 June 2027Power in the Folds of a Gown: Elisabeth Vigée le Brun & Angelica Kaufmann and the power of fashion in 18th century portraiture

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Fancy Liquors and Sky-High Kickers: The Invention of Can-Can, 1830-1950 Jonathan Conlin Wednesday 16 September 2026

2.00pm to 3.30pm

Ludlow Assembly Rooms

French Can-Can has long been synonymous with the "Gay Paree" of the Moulin Rouge, immortalized by Parisian artists such as Henri de Toulouse-Lautrec. While researching the history of can-can, Jonathan was surprised to discover that this famous dance, supposedly the "national dance" of the French, in fact owed its origin as much to London as to Paris. In this lecture, he reveals how an unlikely Anglo-British, cross-Channel exchange of artists, impresarios, and tourists led to the creation of can-can: a fusion of a revolutionary Parisian dance (the chahut) and London's rather more coy skirt-dancing.

Jonathan (website, LinkedIn) is a historian and author particularly interested in the history of great museums/ collectors. His talks draw on his own research, allowing him to take audiences behind the scenes: sharing the surprise discoveries as well as the questions that we still haven't been able to answer. In 2024 he wrote (and spoke to ASTV about) the National Gallery's official bicentenary history, Previous books include a biography of the oil baron and art collector Calouste Gulbenkian and a comparative history of Paris and London.

Alongside lecturing for Arts Society groups, Jon is Professor of Modern History at the University of Southampton. He has a first degree from Oxford, an MA from the Courtauld, and a PhD from Cambridge